100 watts to piss the neighbours off!

This amazingly sturdy and minimalist GA-FC foot controller to control effects on the amp only works with the 100 watt Katana so buying the much cheaper 50 watt was no longer an option.

My pedal setup (a pedalboard to attach them all to would be nice).

Gear acquisition syndrome. I’ve got it!

Gear acquisition syndrome is a real thing so to counter the disease I’ve sold off these 2 guitars which I’ve never played much, or loved at all. The Schecter sold for $300 on Facebook Marketplace and the ESP LTD sold for $250 on eBay. Would have loved more for both of them, but happy both buyers (both lefties whoo!) seemed like good dudes who were stoked with their new acquisitions!

Removing the nut without breaking it was the most nerve-racking part, and I had pretty jurassic tools; a blunt metal chisel, a jewellers screwdriver and a rusty razor blade, but I did have my Dad’s old hammer and with all the luck bestowed upon it I got the nut out without any issues.

The back of the neck was pretty sticky so I hand sanded it with 1200 grit sandpaper. I’m leaving all the scratches and dings for now, the main goal was to cure the stickiness.

Such an amazing improvement. So much smoother and faster! I doubt I could ever go back to a painted guitar neck ever again.

These new school clip on tuners are so amazing! I flipped the nut and for now I’ve put it back in place without any wood glue. I got some new strings on and took my good time setting up the guitar right. I didn’t have to touch the truss rod, the action is on the low side too (which I like) and the saddles only needed minor adjustment to stop some slight string buzzing. I spent the most time adjusting the intonation which came out great.

I referenced a whole lot of shots of Jimi’s guitar at Woodstock and set up my pickup height as close as I could to his set-up.

Bass heavy!

I really didn’t like how much the guitar lead stuck out whilst playing the guitar so I flipped the “boat” jack plate upside down so I could easily plug a 90 degree jack into it. You can see the routing for the jack plate is a tiny bit bigger on one edge but it’s not something that bothers me.

It’s such a simple mod that works so well to keep the lead at a much lower profile and completely out of the way.

Now all that’s left is to buy a super retro coil guitar lead to complete the Hendrix Experience.

And we have a winner! The angled jack is super flat too.

Upside down, so wrong but so right! I used a small spacer to lift up the string tree for the heavy strings. The string tree is rusty top side but polished smooth underside to avoid string snappage.

I drilled a hole on the small horn and relocated the strap pin from the big horn over.

Dunlop has recreated the strap Jimi used on Izabella at Woodstock. I’ve got it on order from the US and it should get here early May.

Izabella was given to Jimi’s drummer Mitch Mitchell who sold it in 1991 through auction. The guitar was sold once again after only two years to Paul Allen, Microsoft co-founder for an undisclosed amount (rumours are it was somewhere in the neighbourhood upwards of $2 Million). Izabella the Woodstock Strat is now kept safe at the Museum of Pop Culture in Seattle.

All done. I’m really happy with how it all turned out! Just waiting for the strap and coil lead.

One last thing. I’ve down tuned her to Eb just like Jimi did and I’m really tempted to take it a step further and also use the unique string gauge setup that Jimi used being: .010, .013, .015, .026, .032 and .038.

I bought this right-handed Fender Squier Stratocaster many years ago off a kid on the JDMST automotive forums for $300 (it even came with a Roland practise amp). I’ve always just had it lying around in case right-handed players drop around so we could jam.

I thought I’d do some research on it. The serial number (P007459) suggests that it’s a 1993-1994 Silver Series Made in Japan at the FujiGen factory (much praised for their excellent build quality). The earlier 80’s guitars from the same factory are fetching thousands now but the later models seem to be worth a lot less. I’m not sure what the body is made of. It could be solid basswood, plywood or even MDF. It seems to have lower end ceramic pickups and tuners. The tremolo saddles don’t have FENDER stamped into them either.

In comparison to my Korean made Squier this guitar just generally feels like it’s lesser in quality. It’s heavier, the back of the neck is more glossy than satin, the neck feels a bit fatter and the pickups have flat pole pieces whereas the Korean Squier has staggered pole pieces.

Jimi at Woodstock.

I love that it’s made in Japan though and it’s got some really nice patina on the fretboard and body too. I’ve just put a new set of strings on it, and it’s now living in a hard case in the closet. I’ll admit I’m super tempted to turn it upside down Hendrix style (the guitar is the same exact Olympic White colour as “Izabella” the 1968 Strat Jimmy used at Woodstock!), but then I’d have an excuse to buy another right handed guitar for guests who drop by, and right now I just don’t need more excuses to buy more guitars!

The lessons of life amount not to wisdom, but to scar tissue and callus.

#comparingyourcalluseswithotherguitarists
#guitaristthings

Real creamy one.

Like a lot of Asian kids growing up I had piano lessons (well, in my case, organ lessons!). I wasn’t into the keyboard so the lessons soon stopped. In high school my mate Spiro, a KISS obsessed fan, let me have a go of his electric guitar. When he handed it to me I instantly turned it upside down (I’m left-handed). He taught me how to play the main riff of “I was made for lovin’ you” and from there I was hooked.

I had decided I wanted to get an electric guitar and my parents were so super encouraging, they took me to Sunburst Music in Coogee Beach (they’re still there!) to buy my first guitar. Like most guitar shops, there were so many amazing guitars on show but there were so few left-handed guitars, in fact, only 2. Both lefties were second hand, one was a metal shredder (I don’t even remember what brand it was) and the other was a Stratocaster copy. The whammy bar, the humbuckers, the locking Floyd Rose style trem… I had to have the shredder!

But alas the shop guy was really trying to convince me to buy the Strat which was a sunburst Japanese made Tokai which he thought was the better guitar. I couldn’t play, so he plugged the Tokai in and played some stuff which I remember thinking was soft rock crap (hey all I wanted to do was play metal!), but in retrospect I now know he had that amp cranked up, did some amazing bends, blues licks and had amazing clean tone. How I hugely regret not buying that lefty Tokai Strat even to this day.

Fast forward to 1997 I bought this lefty Squier Stratocaster. Up until that time I’d only owned heavy metal shredder type guitars with buzzing low strong action, fast thin necks and Floyd Rose tremolo systems so this guitar was a massive departure from all my other gats. I found the creamy vintage blonde finish so offensively ugly that I loved it. The guitar feels funky. When I play it I play funky stuff. I also almost always play it clean (I’ve never used my beloved BOSS Metal Zone pedal since). I’ve tried to buy a few metal shredders since buying this Strat but I’ve never ever been able to go back. This Strat has well and truly killed metal for me and not until recently have I started to really understand why.

In doing some research on the current Fender range of guitars I came to realise that this Strat of mine is something quite special. The guitar was made in Korea (the current Squires are made in China) and rumour has it that the build quality on the Pro Tone series was so good that Fender discontinued them because they were cutting into the American sales. With the specs on this guitar I’d say it’s more in line with Fenders current Player Mexican made series of Strats (and much more sought after and desirable now too). I’ve since found out that it’s got a much thinner neck than most Fender Strats, even thinner than a Modern C which is one of the most common neck profiles on current Fender Strats, and that really explains why I love playing it so much. Sure, the neck isn’t as fast and thin as say the neck on my Jackson King V, but it’s damn close and the fact that it’s thinner and/or different than the necks on all current American Fender Strats makes me very nervous about buying a new Strat without first playing one.

I recently bought an Artist Telecaster style guitar and it’s been the wake-up call I think I really needed. The Telecaster body is super heavy, it’s basically a block of wood whereas the Stratocaster body is super light and it’s an ergonomic wonder with a huge cutaway on the back for you hip and a cutaway on the front for your strumming hand. Swapping between the Tele neck and Strat neck is thick to thin, the difference is light and day.

The Strat fits me. I like wearing it.

The plan was always to one day go all in on an American made Fender Stratocaster. It still is, but for now I’ve decided to put a bit of TLC into my Korean made Fender Squier. My intention isn’t to fully restore the guitar, nor is it to do anything to it that I can’t undo. I just want to give the guitar a bit more life and reliability with the intention of playing it more and keeping it as a forever guitar.

Current Specifications:
Series: Squier Pro Tone Series
Body: 2 piece Solid Ash
Neck: One piece Maple
Width at Nut: 42 mm
Pickups: 3 Alnico Single Coils
Color: See Through Vintage Blonde
Country Of Origin: Korea

Rust In Peace. Everything is working but the volume and tone knobs are annoyingly scratchy and noisy. I’ll try cleaning them but I tend to leave them both on 10 in any case!

I have a thing for red guitar picks?

The headstock has aged the most for some reason. Not sure I want to risk damaging the logos with any sanding so I might just clean it up as best I can without using anything too abrasive.

The little nylon washers on the tuning heads are cracking (one is missing altogether).

Crafted in Korea, the first number in the serial suggests it was made in 1997.

This guitar came with a satin finished neck which is all the rage these days. Painted necks tend to get grabby and sticky whereas a satin finished neck stays fast and smooth.

Real scars unlike relic guitars which are made to look worn even though they’re brand new.

See that long “crease”? The paint (or glue?!) has moved over the years and you can now quite easily tell that it’s a 2-piece body.

It’s really subtle but you can see the wood grain through the paint which I think is super nice.

These die-cast tuners were a lot heavier than I thought they would be. The guitar can’t keep tune, most likely due to the really rusty and grabby string tree but I’ll be replacing them with locking tuners in any case.

The vintage bridge saddles were really rusty, so rusty I had no idea FENDER was stamped in each one.

I thought about polishing the original saddles but instead bought some new genuine made in USA vintage saddles which I found on eBay.

My coffee table is now my work bench!

More updates as new parts come in!